Their harmonies are tight and the hooks are memorable, but the country rock sounds dated, and half the tracks sound like early 90s movie soundtracks.
Eagles fans have been waiting a while for âLong Road out of Edenâ - 28 years in fact. There have been reunion tours, live DVDâs, and greatest hits albums, (of which theirs is the best-selling album in recorded music history in the United States), but itâs been almost three decades since the Eagles last released a studio album. The 20 new tracks spread over two discs have been a long time coming, but what I found remarkable is that the album sounds like it could have been made 28 years ago, if you ignore the blatant references to the Iraq war that is. The harmonies are as tight as ever, lead vocals as passionate, and the hooks as memorable, but the country rock sounds dated, and half of the tracks sound like B-sides on 70âs or 80s records.
The familiar Eagles themes are present and accounted for. American greed and the mirage of celebrity and shiny things take their place beside ballads of lost love and faded dreams, but the guys also have something else on their minds â the war in Iraq. The epic ten minute long title track is a scathing attack on American imperialism, (ââŠbloated with entitlement; loaded on propagandaâ) featuring an Arabian intro that almost makes you feel the desert wing blowing around you, a scorching guitar solo and a building chorus. It doesnât have the enigmatic quality that made âHotel Californiaâ a classic, but it gets about three quarters of the way there. They follow it up with the instrumental, âI Dreamed There Was No Warâ, just in case you didnât get the message, but the hopeful guitar melody reminds me of the nostalgic photo montages of people who have passed that they play during Hollywood award shows. Bluesy track, âFrail Grasp on the Big Pictureâ, and âBusiness as Usualâ are indictments on the apathy and materialism of American society, and the country rock of âBusy Being Fabulousâ and the Prince inspired bass and falsetto on âFast Companyâ warn about the perils of fame and wealth.
Protest songs and tales of caution aside, itâs the ballads that provide most of the highlights. The comforting, âYou Are Not Aloneâ is a gorgeous track with a folksy feel and a marching beat that echoes the theme of the song, and the stripped down torch song, âWaiting in the Weedsâ has a fantastic hook you canât shake and you wonât want to. Some of the ballads backfire though. âWhat Do I Do with My Heartâ and âI Don't Want to Hear Any Moreâ, try their hardest but end up sounding like songs from the soundtrack to a Kevin Costner movie from the early 1990s... not that I'd know what that sounded like. Lead single, 'How Long', is a stand-out and by far the most radio-friendly of both discs, (country radio will eat it up), and boasts one of the best hooks on the album. âSomebodyâ provides a highlight, with its harder edge and menacing feeling, and the spare, âNo More Walks in the Woodâ, showcases their stunning harmonies to their fullest.
Iâm not sure why they released it as a double CD, because only half of the songs are keepers. They are at times delightfully poetic, (ââŠanswering the calling of the tides eternal tuneâ), and at others horribly clichĂ©, (âI would never make you cry, I would never make you blueâ), and whispered backing vocals and Kenny G style saxophone solos date a few of the tracks... to like 1980, and not in a good Pat Benatar âLove is a Battlefieldâ kind of way. Long-time fans have been savouring the return of the Eagles, buying over 3 million copies of âLong Road out of Edenâ in the first week of its release, but I doubt itâll win them any new fans⊠at least not in my generation.